Saturday, November 2, 2024

Soul Cakes for Breakfast on November 2nd

 "In olde tyme good people wolde on All halowen
days bake brade and dele it for all Crysten soules."
(1511)

In England a 16th century custom was to set upon the table a pile of ''Soul-cakes,'' and every visitor was expected to take one, repeating this rhyme:

"A soule-cake, a soule-cake,
Have mercy on all Christen soules
For a soule-cake.''

       "This ancient chant of West Fenton, Shropshire, was sung until recently by bands of young people who made annual rounds of the neighborhood on All Souls' Eve (November 1), begging at each door for ''soul cakes'' for their Hallowmas feast. Soul cakes are spiced oval or round buns which, in early times, doubtless were given for prayers for the dead, or as ''a charity'' for departed souls. "Souling'', as the ceremony of singing for cakes is called, probably originated in the pagan Feast of All Souls''. Soul cakes and souling customs vary from country to country, but souling practices have always flourished best, perhaps, along the Welsh border. Nowadays the custom rapidly is dying out, even in this district, but many vestiges of the old songs still are found in tiny hamlets of Shropshire and Cheshire, as well as in Staffordshire, Lancashire and Derbyshire.
       This custom of doling out bread for all Christian souls persisted well into the seventeenth century, for John Aubrey, the English antiquary, writes in 1686 of seeing ''. . . sett on the Board a high heap of Soulcakes, lyeing one upon another'', like the ''shew bread'' in old Bible pictures. He goes on to describe the bread as ''about the bigness'' of a two-penny cake. It was customary, according to this writer, to give one to each ''souler'', who in return for the gift, droned out one of the following "old rhythms or sayings.'' (above)
       It was customary for the soulers to repeat their ditties over and over again in monotonous, droning tones, without pause or variation, as they made their rounds from parish to parish. The sound must have been familiar, indeed, to Shakespear's ears, for Speed remarks in "Two Gentleman of Verona'' that one of the ''special marks'' of a man in love is ''to speak puling, like a beggar at Hallowmas''. 
       The composition of soul cakes used to vary considerably from one county to another. Usually they were rich with eggs and milk. They were rather flat, round or oval in shape, and pungently flavored with saffron and allspice. In a highly popular sense the ''cakes'' meant ale, fruit or money - anything, in fact, that was given to the soulers at Hallowmas. It is interesting to note that from this early British institution of souling, American boys and girls throughout the United States have inherited the ever popular custom of masquerading in fantastic costumes on October thirty-first, and going from door to door in the neighborhood to demand ''something for Halloween''.
       Soul cakes, as adapted to American taste from recipes of early English housewives, make delicious teatime buns. Instead of the saffron and allspice originally employed, use of a few drops of yellow vegetable dye, if desired, and cinnamon, or a dash of nutmeg or mace.
       The following recipe, patterned after an old Shropshire recipe, makes four dozen light fluffy tea buns, or three dozen good-sized breakfast ones. These soul cakes, served hot with cider and coffee and homemade strawberry or blackberry preserves, make delicious, hearty fare for the modern American Halloween party too.'' Spicer

Shropshire Soul Cakes:

  • 6 cups sifted all-purpose flour
  • 1/2 cup butter or substitute
  • 1/2 cup sugar
  • 1 cake compressed yeast dissolved in 1/4 cup lukewarm water
  • 1 teaspoon sugar
  • 2 cups milk
  • 2 teaspoons salt
  • 4 teaspoons cinnamon
Directions:
  1. Cream together the butter and sugar.
  2. Crumble yeast in 1/4 cup lukewarm water, to which 1 teaspoon sugar has been added.
  3. Set yeast mixture in warm place until it becomes light and spongy.
  4. Scald milk and add to the creamed butter and sugar.
  5. When creamed mixture is cooled, add the yeast mixture.
  6. Sift flour, salt and cinnamon together.
  7. Add the dry ingredients gradually to the wet, kneading into a soft dough.
  8. Set the sponge to rise in a warm place in a greased, covered bowl.
  9. When doubled in bulk, shape the dough into small round or oval buns.
  10. Brush the tops with beaten egg. 
  11. Bake in moderately hot oven at 400 degrees for 15 minutes, dropping the oven temperature to 350 and baking until the buns are delicately browned and thoroughly done.
  12. Yields 18-24 cakes, according to size.

Hungry for History teaches about soul cakes and church history. 
November 2nd was set apart for the traditions observing 
the souls of the departed in Christ.

Friday, November 1, 2024

Breakfast for The Feast Of All Saints

 Songs for The Feast Of All Saints
by Christina Rossetti

Love is the key of life and death,
Of hidden heavenly mystery;
Of all Christ is, of all He saith,
Love is the key. 

       ''The breakfast is the most important meal of the day, because it is the first thing that happens every morning, and it thus strikes the note, so to speak, of the day's harmony.
       Breakfast varies more than any other meal in the number and kind of dishes served - from the cup of coffee and single small roll, brought to your bedroom in some of the European countries, to the hotel breakfast of the United States, which consists of nearly as many dishes as a course dinner. But whatever the breakfast, it should be remembered that it is the opening adventure of the morning, and no pains should be spared to make it an agreeable one. If nothing more is desired than toast and coffee, the standard for these two should be nothing short of excellence. Indeed the fewer dishes served for breakfast, the greater the perfection called for in these few, since where there is much variety, if one dish is poor, it can be discarded for another that is good." Chambers

Italian Coffee by The Pan-American Coffee Bureau
       The best known of all ''foreign'' coffees is the Italian version. It is often called Caffe Espresso although, technically, this is always made in an Espresso machine. Italian coffee is an excellent after-dinner demitasse.
  • 8 level tablespoons of French or Italian-roast pulverized coffee beans
  • 1 1/2 cups of water
       A drip pot may be used, but a macchinetta is best. This coffee-making device consists of 2 cylinders, one with a spout, and a coffee sieve between them. Measure the coffee into the sieve. Put together with cylinder having the spout on top, and with measured water in lower cylinder to steam. Then remove from heat and turn the macchinetta upside down until the brew has dripped through. Serve in demitasse cups or 4 oz. glasses with a twist of lemon peel and sugar, never with cream. Makes 4 demitasse servings.

Fanny Brice sings "Cooking breakfast for the one I love...'' 


Saturday, October 26, 2024

The Meeting of Life's Extremes

''and said, "Assuredly, I say to you, unless you are converted and become as little children, you will not enter into the kingdom of heaven." Matthew 18:3

''to know the love of Christ which passes knowledge; that you may be filled with all the fullness of God.'' Eph. 3:19

       To become a little child; to be filled with all the fulness of God - how shall we reconcile these two aspirations! They need no reconciling. Do you want to get back the qualities of your childhood? You can only do so by going forward. There are only two things which can give the qualities of the child ''emptiness and fullness'' the opening, and the completed, day. Take the Sermon on the Mount - the blessing which Jesus pronounced on certain qualities. They are all qualities of the child - humility, dissatisfaction, meekness, hunger, mercy, purity, peacemaking; and the child has them by reason of its emptiness. But the man can get them back by his fullness. The child is ''poor in spirit " because he has no ideal; the man, because his ideal is so high. The child often " mourns " because he is too small for his environment; the man because he is too big for his environment. The child is "meek" because he is shallow; the man, because he is balancing the depths. The child "hungers" before he takes food; the hunger of the spiritual man comes after tasting. The child "forgives" because he forgets; the man, because he remembers - remembers the frailty of his brother's frame. The child is "pure" because he is innocent; the man, because he sees impurity's stain. The child "makes peace" because he is ignorant of self-interest; the man, because he has learned self-sacrifice. The spiritual man gets back the virtues of the child; but he gets them back "on the Mount." My brother, often have I heard thee lament the loss of thy youth. Ever art thou deploring that the hours of the morning pass so soon away, that the afternoon and evening come so quickly round. What if the afternoon and evening should be the road back to the morning!
       What if the fulness of experience should restore the very glory which was to thee associated with ignorance of the world! It can restore it; it will restore it. Thy youth is coming back to thee by the very chariot in which it departed. It departed with opening experience; it will return with completed experience. The star that waits for thee is "the bright and morning star." Behind the afternoon clouds, behind the evening shadows, behind the night watches, lies thy prospect of a second dawn. Is it not written ''when the fulness of the time was come, God sent His Son" - the Child-Christ! So shall it be in the fullness of thine experience. Thy Child-Christ shall come. Life will dawn anew. Morn will break once more. Thou shalt stand again in the east with the rising sun. Thou shalt hear again the shepherds' song over the plains of Bethlehem. And the song shall be all hope - the hope that comes only with the morning, the optimism of first bells, the expectation that is inseparable from the dawn "Glory! peace! goodwill!" by Dr. George Matheson

Wednesday, November 9, 2022

Those Crazy, Crazy Quilts!

      The term "crazy quilting" is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting (the needlework which binds two or more layers of fabric together), but a specific kind of patchwork lacking repeating motifs. A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique.
      Regular patchwork combines the pieces of fabric into a predetermined and regular design, but crazy patchwork uses irregular pieces of fabric without pattern on a foundation fabric or paper. This may create haphazard-looking and asymmetrical designs, or the designer may use some control in placement. Patches can be hand appliquéd onto a base fabric. This method gives the most variety as every patch is unique. There are also block patterns designed for crazy quilt that can be sewn by machine. Sometimes part of a crazy quilt is haphazard while other parts are placed in a planned pattern. A common example of this the placement of patches is a fan pattern. The patches and seams are then usually heavily embellished.
      Crazy quilting created a stir in the 1880's when it became quite a fad in the United States. The Japanese Exhibit in the 1876 Philadelphia Centennial Exposition inspired the crazy quilt with its asymmetrical art. Articles encouraging crazy quilting, or condemning it, could be found in women's publications. Women could purchase packages of random fabrics, as well as already embellished pieces, to use in their own crazy quilts. During the first several years of the crazy quilting fad, fine fabrics and heavy embellishment were the norm. As time passed quilters began to make simpler quilts in the crazy quilt style. Thrifty housewives used everyday fabrics like wool or cotton and little or no embellishment to create more serviceable quilts than the original fancy crazy quilts with the added benefit of using up small or odd-shaped scraps left over from making clothing for the family or other household sewing projects.

Tamar Horton Harris North. “Quilt (or decorative throw), Crazy pattern”. ~1877. 54 ½ × 55 in. Metropolitan Museum of Art.

An Amish crazy quilt created by Lydia Beachy between 1910-1920, made
 of cotton, measures 80 7/8 in. by 62 1/4 in. Part of Smithsonian
American Art Museum Collection.

The Delphinium Embroidery Block

The Original Instructions: Two shades of blue with green leaf are used to embroider this block. The buds and most of the center spike are the lighter blue, while the darker value is used for the larger blossoms to the outside. A few of the bottom flowers might be a third darkest blue or purple. Centers are yellow.

The Cosmos Embroidery Block

The Original Instructions: The cosmos block is embroidered with orchid tint flowers, pink buds, green leaves and slender stems, with yellow French knot centers to the blossoms.

Sunday, October 23, 2022

The Lily of The Valley Embroidery Block

Lily-of-the-Valley Block No. 9
Original Instructions: If you are using ivory or other dainty-tint background for the quilt blocks, these blossoms may be embroidered in white with the green of the stem embroidering the few small buds at the ends. Leaves are darker green.